Showing posts with label Pigpen. Show all posts
Showing posts with label Pigpen. Show all posts

Friday, September 9, 2016

For Today's Fry-day Jam, Shall We Go to One of Pigpen's Greatest Shows? 4-17-71 Dillon Gym Princeton Uni, NJ

Since yesterday was Mr. Pen's birthday, I thought I'd release one of the greatest Pigpen shows of all-time.
  
This show at Dillon Gym is all about Pig. This is the show where he sells the Brooklyn Bridge for "a dolla an a quarta" among many other Pig-isms. Pigpen was the true frontman of the Grateful Dead. He convinced the band to go electric and is completely responsible for the acid-blues conglomeration that became the Dead's métier. Now don't be fooled by all the Pigpen talk. This show has many great moments including an amazing "Bird Song" and a wonderful "Loser" and an excellent "GDRTFB>Jam> Lovelight" but the Pig is why we are here today. His singular voice and soulful harp are all over this show. It's the show that he got Bob and Betty Matthews from the GD crew to hook up at. His "Good Lovin'" rap is hilarious, raunchy, and full of Grateful goodness that pushes each member forward a little bit farther out.  He spends "Lovelight" hooking up couples and getting people together. He hooked up four random people than went back into the song! The man was a master of the blues and the heart of the Grateful Dead.


Pigpen could get left behind during some of the Dark Star's and "Primal Dead" stuff because he didn't dose and the one time he did, it was a tremendous bummer. But when Pig pulled out his blues, whether it be "Hard to Handle" or "King Bee", he shined. His heart-wrenching performance of " The Stranger (Two Souls in Communion)" during the 5-11-72 show could tear your heart out.  This show is well-known for his raps. His "Good Lovin'" and "Lovelight" turns are both Pigpen's heart and soul and what limited his time in the band. There wouldn't be a "Weather Report Suite" or a "Help>Slip>Frank" with Pigpen in the band. He was limited musically but he was just what the band needed in the early days. It's a shame he was the Grateful Dead's contribution to the "27 club" but he lived his way and no one was going to tell him what to do. A life lived on one's own terms is a life well-lived.


 Happy Birthday Ron"Pigpen"McKernan, RIP

From his, "Good Morning, Little Schoolgirl" to his "Turn on your Lovelight" he always stepped up to make the band behind him stronger and when he wasn't there, the backing band became the band we all know and love and spawned the cult of personality around Jerry Garcia. So much history, so little time.  Have a drink for Ron today or pour on out for him.

Heard at the show: "Play something we know!" (heckler)
                                "Know something they play!" (taper)

Greg Heffelfinger

4-17-71
Dillon Gym
Princeton University

Set One
Truckin' 
Big Railroad Blues 
Big Boss Man 
Bird Song 
Playing In The Band 
Hard To Handle 
Loser 
Mama Tried 
Casey Jones 
Sugar Magnolia 

Set Two
Good Lovin' >Drums >
Good Lovin' [27:22] ;
Me And Bobby McGee
Deal
Beat It On Down The Line
I'm A King Bee
Bertha
Sing Me Back Home
Goin' Down The Road Feeling Bad>
Jam >
Turn On Your Love Light [16:#16]




© 2016 Grateful Music LLC

Friday, August 26, 2016

Today's Grateful Music Fryday Show is Back to the Seventies. Way Back. : The Grateful Dead at The Felt Forum 12-7-71

1971 is one of those years of change that sometimes gets overlooked. With Mickey leaving and Pigpen not always at his best, this show is a smoking hot night that showed Pigpen at the top and Keith playing beautifully behind him. 


1971 was a year of transition from the acoustic sets with the NRPS and long sets of 1970. They are even farther from the "Primal Dead" of 69'.  Towards the beginning of the year, Mickey Hart's father Lenny's scams caught up with him and he finally bailed with the band's money and the respect from his son. Mickey wasn't blamed or asked to leave but in February, he took a sabbatical that lasted until 1974, right before the whole band took a sabbatical.  So Mickey really didn't come back until 76'. Then, after T.C. leaves and Pigpen comes back for good until he can't perform anymore, Keith Godchaux starts playing. So we have this little window that has Billy the K as the only drummer, Pigpen on organ, Keith on keys, and no Donna yet. Out of this window comes this incredible show.  These little shows, tucked in before 1972 and all the fanfare of that year, are some of my favorites. It's a band just getting better and growing every show and keeping on through adversity and making a foundation that really comes to fruition in 73-74 for me.

There has always been a saying in the Deadhead community, "It's not what they play, it's how they play it" and this show is the epitome of that old dictum. There aren't any of the huge jam vehicles that you see in 69' or are right around the corner in 72'. No "Dark Stars" or "The Other Ones" the nearest thing to that in this show is the "NFA>GDTRFB>NFA" but that isn't the highlight of the show. It's amazing, don't get me wrong. What you get here is Jerry leaving his soul on the floor with "Brokedown Palace" and a "Smokestack Lightning" that will blow your smokestack. The best version of "Run Rudolph Run" is here. The Pigpen songs like "Hurts Me Too" makes you feel it. Bobby is right there with "Jack Straw" and "Sugar Magnolia", even "El Paso" which Jerry filigrees with more notes than you feel like can fit in a bar, Bobby sells it to you like life insurance. Add the wonderful harmonies on "Jack Straw", which was just played for the first time in October with five other songs, Bobby sings all the parts. It wasn't until Paris in 72' that Jerry and Bob started trading verses. Add the lovely "Ramble on Rose" and you have one of those shows that has it all and is tight and well-played. Not super exploratory, just locked-in, right on the money versions of the songs that could've gone on an album.


There are a ton of songs in this show and not a clunker in the bunch. From the opening riff of "Cold Rain & Snow" to "One More Sat. Night". The show I had originally picked for today I checked and found it had been released as a Road Trips. That show is epic,too. So check out 8-6-71, as well. 


Grateful Dead
12-7-71
Felt Forum

Set One:

Cold Rain And Snow ;
Beat It On Down The Line ;
Mr. Charlie ;
Sugaree ;
Jack Straw ;
Next Time You See Me ;
Tennessee Jed ;
El Paso ;
Brokedown Palace ;
Run Rudolph Run ;
You Win Again ;
Cumberland Blues ;
Casey Jones

Set Two:
Sugar Magnolia ;
Ramble On Rose ;
Big Boss Man ;
Mexicali Blues ;
Brown Eyed Women ;
Me And My Uncle ;
Smokestack Lightnin' ;
Deal ;
Truckin' ;
Not Fade Away >
Goin' Down The Road Feeling Bad >
Not Fade Away

Encore:
One More Sat. Night


                                       © 2016 Grateful Music LLC

Saturday, August 6, 2016

The Hot Seat: The Grateful Dead's most dangerous gig and the cast of characters who occupied it.

 The Hot Seat: The Grateful Dead's most dangerous gig and the cast of characters who occupied it. 

The first and most influential, though not the longest, serving keyboard player didn't start playing with the Grateful Dead. He started with Mother McRee's Uptown Jug Champions.

Ron"Pigpen"McKernan, was one of the original members of the core group. He was friend's with Jerry and worked at Dana Morgan's Music Store. Bob Weir and Billy Kreutzmann joined in and shortly after, Phil Lesh rounded out what became the Warlocks. "Blue Ron", his nickname before Pigpen was the son of a Bay Area DJ therefore had access to tons of blues records and was considered to be the leader,frontman and singer of the nascent Grateful Dead. Pigpen was an early proponent of the switch to electric instruments and was already a hard drinker. His drug of choice was alcohol which didn't fit in with the rest of the group. He didn't partake in psychedelics and by 1966, Jerry was asserting himself more and the material was quickly advancing beyond Pigpen's skill level. Through the late sixties, he played Vox organ and contributed songs such as"Midnight Hour" show stopping "Lovelight" He came down with biliary cirrhosis of the liver (which was congenital and not related to his drinking) which kept him off tour in 71' and his last show with the band was June 17,1972. He passed away from a gastrointestinal hemorrhage on March 8,1973. At the funeral, Garcia said," After Pigpen's death, we all knew this was the end of the original Grateful Dead".



Tom Constenten has always been a kind of enigmatic genius.  He joined the Air Force because the draft was in full swing and used his leave passes to come play with the band. He played prepared piano, keyboards, and most notably harpsichord. To hear his magic, listen "Mountains of the Moon" on Aoxomoxoa. He was never given a security clearance because of his communist leanings and used that time to eat LSD. He basically stepped off an air base and onto the stage. He played on Anthem of the Sun and knew what Weir meant when he said, he needed the sound of "heavy air" but T.C. had stopped doing drugs and joined a burgeoning movement called Scientology that he wanted to tell people about. The reason he never made a huge footprint, in his eyes, was that tonally, the keys just couldn't stand up to the amplified string instruments. He would go on to say a piano would've done wonders because that's what he learned to play and all those other instruments each had their own actions. Pigpen and him became good friends because they both eschewed drug use. He was also well-liked by Billy the K but Billy also said in his memoir "he had this thing where, for whatever reason, he would perform at rehearsals pretty darn well, but then, when we'd be in front of an audience, it was like he froze or something. He couldn't let go.  His first show was Nov. 23, 1968 but left when the band started to explore their folk and country roots in the seventies. He is also the only keys player still alive besides Bruce Hornsby.

Everyone knows the story of how the band put out the call for a new pianist(which included Merle Saunders and Ned Lagin) but Keith was too shy to ask so Donna marched up and said, "Here's your new keyboard player" His first show was Oct. 19, 1971. Keith was well-versed in jazz and boogie woogie piano and at his audition the band threw every curveball they could at him and he knocked them out of the park. Onstage he used a Steinway grand from 72-74 to which he added a Fender Rhodes electric piano in 1973. That was the sound of Wake of the Flood. He used this setup until mid-77, then switched models but always stuck to the acoustic piano. This was part of the reason he was beginning to get pushed out of the band. Keeping his piano tuned was a full-time job and his piano was the reason the Giza Pyramid shows were shelved for so long.  Exacerbated by a growing heroin addiction and epic fights with his wife. The most famous of these was the time they had a demolition derby, driving into each other at Club Front. This was annoying but tolerable but by 78, he committed the one unpardonable sin and that was mimicking Jerry's lead lines instead of playing his own melodies. No matter how well he fit, he couldn't stay. It didn't help that his wife Donna, was wailing all over the songs. Shortly after he left, he cleaned up and after playing some JGB gigs he started the Heart of Gold band. He passed away in an automobile accident in 1980.

 Brent Mydland was aiming to be a band teacher when he started playing in rock and roll bands. Ironically, he covered "Morning Dew" and "Good Morning Little Schoolgirl" with his early bands. He played his first gig with the Grateful Dead on April 22,1979 after two weeks of rehearsal. He was the longest-tenured keys player in the band's history. Unlike Godchaux, Mydland was all about finding new sounds. He played many different instruments but the one he was most famous for was the Hammond organ. He played the B-3 with ten rotating Leslie speakers and his instrument was played at the Fare Thee Well shows by Jeff Chimenti. The main thing about Brent was he never got over the "new guy" phase and Weir would tease him mercilessly. For a sensitive soul it was a little too much. What is less known about Brent was his songwriting contributions. He wrote or co-wrote songs such as "Far From Me", and "Easy to Love You" on Alabama Getaway. On In the Dark, he co-wrote "Hell in a Bucket" along with "Tons of Steel".  The next album saw more mature themes such as on "I Will Take You Home". He penned the environmental song,"We Can Run" and "Just a Little Light". He also had songs that were never recorded but he firmly made his presence felt with," Never Trust a Woman" and co-wrote the song"Revolutionary Hamstrung Blues" with Phil and his childhood friend Bobby Peterson.  Mydland's high, gravelly voice fit in perfectly with the other vocalists to create three-part harmonies and his voice added gravitas to "Let the Good Times Roll". He would make up new verses during"Little Red Rooster" and sang lead on covers such as "Hey Pocky Way", "Dear Mr. Fantasy, "Hey Jude" and most famously,"The Weight". Creepily, the last time he ever sung with the band his last line was "I gotta go but my friends can stick around".  He was known mainly as a drinker but began turning to harder drugs due to severe depression. He had a court date for a DUI coming up and was afraid of going to jail but he died of a speedball on July 26,1990.
"... He rode hard, he drank hard, he played with the Dead. He also played with death and lost. He will be conspicuous in his absence."-Robert Hunter

After Brent's death, the band was in dire straits. After auditioning several other players, they picked Welnick. Mostly because of his ability to sing high harmonies. The first show he played he almost locked up until fans put him at ease with signs like,"Yo, Vinnie" which he named his publishing company after. His had some good songs and he had some bad songs, whichever you floats your boat. Bathrooms did start overflowing during "Samba in the Rain" but I thought "Way to Go Home" could rock, if Jerry got behind it. He was joined by Bruce Hornsby for about one hundred shows before he got the hang of it by himself, which some would say he never did. He was diagnosed with cancer and emphysema right before the 1995 tour but decided to do the tour then get surgery. After Jerry died, Vince toured with RatDog and tried to commit suicide on the tour bus on the road to Monterey,CA. After treatment and therapy, he joined Second Sight with Bob Bralove and Missing Man Formation. He was also in one of the first iterations of Phil & Friends in 1998 and the Mickey Hart Band. After the Grateful Dead Family Reunion, to which he was not invited, he went into a tailspin. It was billed as "all the surviving members of the Grateful Dead". He couldn't come to terms with getting no invitation and after battling depression he killed himself by cutting his own throat( very symbolic to me) on June 2, 2006.

Needless to say, each member had their strengths and weaknesses. They all brought different things to the table and together these men, all fell in the line of duty serving the music. The Grateful Dead was a demanding mistress that would claim Jerry too. And for the record there were some people who played keys that are still alive. Namely T.C. and Ned Lagin but those are the exception to the curse of the "hot seat".  Many people, including the band, felt like it was never the same without Pigpen. Those were their golden years. Some claim Keith and others who got on the bus in the Eighties will stand behind Brent forever. It's all subjective. The one thing that isn't is that  there would be no band without Ron"Pigpen"McKernan and he was the band's contribution to the "27 club" Well, whoever you love, "if you get confused listen to the music play."

Written by:Greg Heffelfinger




























© 2016 Grateful Music LLC

Monday, August 1, 2016

Grateful Music's "Days Between" Grateful Dead Musical Retrospective. Hand picked shows from the career of the Grateful Dead. Today's kickoff show, a barn burner from 1966.

Here are some handpicked shows, some well-known, some obscure. 
We are gonna post a new show every morning for each of the Days Between. Just a little help for those in their cubicles and others who need driving music.


  
Pretty much everyone is familiar with the Dead's origin story. Bob heard Jerry playing on NYE, who absentmindedly was playing, waiting for students that would never come. The jam that ensued at Dana Morgan's music store was the beginning that led to Mother Mcree's to The Warlocks and then the change of names to The Grateful Dead.  The name The Warlocks had already been taken by a little band that later was known as The Velvet Underground.

The show we picked today was one of the best of 1966.  The band started in 1965 but setlists and good sounding tapes are sketchy at best. So I decided to pick up the next year that showed the band testing their boundaries and skills but still playing short songs that included old standards, bluegrass, Dylan covers and attempts at new songs. And of course, the Pigpen blues was already the centerpiece of the band. Enough from me, here's the show*:
Thanks to archive.org for the stream
Written by: Greg Heffelfinger

The Grateful Dead at the Fillmore. 7-16-1966


Grateful Dead
Fillmore Aud.
7-16-1966

Set One:
1.   I Know You Rider
2.   Big Boss Man
3.   Standing on the Corner
4.   Beat it on Down the Line
5.   In the Pines
6.   Cardboard Cowboy
7.   Nobody's Fault but Mine
8.   Next Time You See Me
9.   He Was a Friend of Mine
10. Cream Puff War

Set Two:
1.  Viola Lee Blues
2.  Don't Ease Me In->
3.  Pain In My Heart
4.  Minglewood Blues->
5.  Sitting on Top of the World
6.  You Don't Have to Ask
7.  Cold Rain and Snow->
8.  Good Morning Little Schoolgirl->
9.  It's All Over Now, Baby Blue
10.Dancin' in the Streets


* Fave Raveups
He Was a Friend of Mine
Viola Lee Blues
Cold Rain and Snow
Good Morning Little Schoolgirl
Dancin' in the Streets

































© 2016 Grateful Music LLC