Showing posts with label LOCKN. Show all posts
Showing posts with label LOCKN. Show all posts

Saturday, August 27, 2016

Phish Shakes some Rust Off and Brings the Jams Out and Puts On of the Best Shows of Summer 2016 at LOCKN Last Night

  Phish scrapes some barnacles off the ship last night and it was a blissful sail through the Phishy seas last night.

Phish got off to an admittedly rusty start last night. First, Trey seemingly lost control of his picks and hit some clams during the opening of "Wilson" which turned into a good solid opener that led to a rare-ish version of "Down with Disease" as the second song of the first set. For awhile, you stopped getting looks of awe from first-timers when you *cough* called it as a second set opener. As they leaned into it to start off Gordon seemingly lost his balance messing with his effects and then Trey came in too early and had to restart the first vocal verse but after that. It was smooth sailing through a nice, tight rendition of the tune. And then, the dam broke and Phish poured funk on the LOCKN audience that swept them right into the late-night set of their choice. JRAD is the choice unless you just have to hear electronica or wanted to spend some time in "Garcia's forest" From the heavy D minor opening of "Free" the band never slowed down. I'm tired of hearing this ripcord shit. More on that later. 

Next up was the always funky,"Wolfman's Brother" that has become a first set staple of getting the funk going. After that,"Tube" had some great work from Page, in particular, and the whole band was showing a willingness to jam that has been missing for most of this tour. With the ending of "Tube", came on of the best, and I can't believe I'm typing this, "555"'s out there. It kept the feeling of the tune before and the shift into the song just took a few looks and a couple of notes and they downshifted into a great version that both Mike and Trey shined on, and of course, the little hairy beast man was all over this tune. I generally don't go into every song from the first set but I feel like this was the most balanced, even and well-played, excepting the flubs, of the tour. 

(courtesy of rolling stone)

Trey stumbled on the intro to "It's Ice" but made up for it by painting a aural tapestry with his new sounds and effects setup. Page was also an eight-armed monster, while Fish and Mike were so tight in the pocket that it sounded like one person. The jam from "It's Ice", the tie for longest song on Rift( with "Maze") after the vocals was the balm on my soul after the previous shows. Maybe it was the break from the wonderful Chula Vista show, maybe Trey needed some TAB time but this jam was deep and dark and dragged you into the ice as your double pulled you down. They charged into the last verse after the drop and it was one of the best versions I've heard since 94'.  The band slipped from the ice off a cliff into "Wingsuit" which was just a beautiful traditional smooth Phish jam. The band played it well and it just sailed along like the title and had a good jam that was followed by another pleasant surprise with a short but sweet "Simple".  Then, I had to listen to another"Space Oddity" to close the set. I would have rather heard them just play "David Bowie" than keep repeating this acapella version. First off, it was cool the first time, when it was seen as the tribute to a recently deceased genius. And in that vein, I could see them finally covering Hunky Dory or Scary Monsters(and Super Creeps) or even Alladin Sane on Halloween. Or maybe, Purple Rain but I digress.  The best part about it is that it means that the band has been rehearsing and are comfortable enough to do acapella songs regularly. However, besides "Dem Bones" I think this has been an overplayed set ending and the recreation has lost that "new car smell" and can't hold a candle to their version of "Freebird".
(courtesy of Jambase)

The second set was a monster from start to finish. Kicking off the set with one of my personal favorite set openers" Punch You in the Eye" fires through its movements and sets off "Blaze On" which dissolved into the tinkling keys of "Fuego". These three songs were all on point and solid versions that were textured and well-played but the meat of the set started when the crowd, still reeling from el fuego of the tune as it jammed it's way into a smoking, "Ghost" that just jams like they turned on the afterburners. This is one of my favorite "Ghost" renditions, jam and all, the song was a masterpiece of band interaction. Trey naturally shreds while Page lays down a musical launchpad for Trey while Mike went nuclear with the bombs he was dropping and Fish never stopped driving and coaxing the band forward.  The jam was a sonic tapestry that was quintessential Phish before the familiar, "Bathtub Gin" riff took off from where the specter left off and after a quick jaunt through the lyrical parts, the band dropped into a dark, twisted, echo of a Gin that mined all the darkest parts of the jam. It's definitely was one of the best songs of this show and in my opinion, one of the best Gin's I've heard in a long,long time. And I was there for the second longest Gin in Lexington,KY that LivePhish.com just released that clocked in at almost 27 minutes! Now length isn't a direct correlation for the quality of the rendition and this one was about fifteen minutes long. As timing is concerned, "It's Ice" and "Wingsuit" were the longest songs from the first set at just over nine minutes each. The second set went from nine to ten to a couple of songs in the teens and then, YEM of course was twenty minutes. I said that to say this. If you need to hear one song from this show it's a toss up, for me, between "Ghost" and "Bathtub Gin", which were back to back. 

The band slipped into a version of "Backwards Down the Number Line" which Trey croaked out the first line and took a step back and came back in full force.  I have seen people cry "ripcord!" because of this transition but it was a transition to a lighter tone and somewhere in an alternate universe, that Gin is still going. It had that much potential but it was a festival, remember. Some people might have needed a break but the transition led nimbly into the tune and once Trey got his voice right, was a standard version of the tune, followed up by a "You Enjoy Myself" with an "Ass-Handed" tease. YEM always seems to pop up at festivals and I'm curious to see what's going to happen Sunday night now that these tunes are off the table but look for "Breath and Burning" or "Tide Turns" etc. It was a pretty standard version of YEM, well, it's a composed piece, but the jam at the end still had the bright coals of the night's funk fire burning and after a short break, the band ended the night with a tight, "Character Zero".

Written by: Greg Heffelfinger

"Ghost" LOCKN 8-26-16 just a touch of "Gin"


Oak Ridge Farm, Arrington, VA



[1] Unfinished.
Teases:
· The Little Drummer Boy tease in Fuego
· Ass Handed quote in You Enjoy Myself
  
© 2016 Grateful Music LLC

Friday, August 26, 2016

Phish Brings the Funk to the FIrst Night at LOCKN: setlist and skinny

Phish started the festival off right, playing one of the most balanced and funky sets of the tour.


Phish comes out of the gate swinging with a show full of jams. The first set was hot from the restart of "DWD" in a weird, first set second song position and they never slowed down. The second set was hot from "PYITE" all the way through "Fuego>Ghost>Gin" and a nice YEM and "Character Zero" to close it out. Full review tomorrow.

Greg Heffelfinger

Phish: Fri, Aug 26, 2016
Oak Ridge Farm, Arrington, VA


setlist phish.net


© 2016 Grateful Music LLC

Ween Played it Off Legit and Kept It Real Brown Last Night, Umphrey'sKilled as Usual and Vulfpeck Made Some New Fans: LOCKN NIght One

Ween played a great set with psychedelia, old classics and the first guest appearance with UM, and Vulfpeck put on a great show. Night One of the LOCKN Festival
I didn't catch much of Umphrey's set but I saw them a week ago and know they are playing tight and let's just say it, they never really play a bad show. They kept it tight and stretched out a few songs to fill the time instead of trying to cram in a bunch of tunes. Kudos to them for that.  Some bands try to play a bunch of truncated versions of exploratory songs in order to pack a lot in to a short set. One of the highlights was the Gene Ween joining them as to form Godboner for a cover of Billy Joel's The Stranger. The crowd was coming down from Vulfpeck, one of our founder's new favorite bands, and Umphrey's teed them up for Ween who proceeded to go brown and get weird and make Boognish proud.
(thanks to Jambase for the photo)


For those that don't know, Boognish is the demon-god that has appeared three times too and was said to spawn Ween. A kind of Ween-ish "Icculus" if that makes sense. In the headline slot, Ween back together from their breakup in 2012 so Aaron (aka Gene) could get his health back in order, made a great showing of themselves and broke out two great songs they've only played four and eight times, respectively over 25+ years. "Transdermal Celebration" the "Pink Floyd dipped in Ween" sounding psych jam through "The Grobe" into the country great"Mister Richard Smoker". Gene then mentioned they were about to play one of his favorite songs,"Mr, Would You Please Help My Pony?" this is when things started getting really brown. "Happy Colored Marbles" led into the heavy psychedelia of "How High Can You Fly" which they have only played live three times before this version. This is one of the songs that made me really like Ween. I was happy to hear quite a few tunes that I haven't heard in a long time and thought that they came off live wonderfully.  

They kept up the energy with possibly my favorite Ween song, and the drug and alcohol struggles the band has gone through have been well documented. I used to read "Baby Bitch" about a girl but now it can read it as an ode to cocaine. Especially since "girl" is an east coast slang term for cocaine but you didn't come for deconstruction. So anyway, it was great to hear it played live. Next up was a handful of songs that would've made the folks at the Arise Festival shit their collective yoga mats. To see Gene Ween exhorting the crowd to singalong to sucking dick and getting blow jobs at the "Boy's Club" was both a little cringy and totally Ween. Boognish was proud. The next few songs followed in the same vein with so many "f-bombs" dropped in a short time, and I don''t mean "fuck" that doesn't matter anymore but the word "faggot" is now more shocking than the original "f-word". These songs were written before the LGBT movement became the juggernaut it is today and you could feel maybe some people would walk away. 
(photo courtesy of Jeremy Williams)

After either "Japanese Cowboy" or "Fluffy" both funny and well-played Ween songs, Gene looked out and said," Hey some of you are still here. That's cool" and they played their one "hit" that can't be mentioned without mentioning "Beavis & Butthead" in the same sentence. Over their many years together, they've written so many great songs, this and "Roses are Free" are probably the only ones in the mainstream and one was Ween's only charting hit and the other because of Phish. So after,"Push th Little Daisies" they busted out "I Play it Off Legit" for only the third time as Ween, all in this year. The other five times was played by the Gene Ween Group so technically, it's only been played by Ween this year after being released on Pure Guava from 1992.  After a few more tunes, Gener brought out the mandolin for "Ocean Man" from one of my favorite Ween albums, The Mollusk.  This tune kicked off "Ocean Man>Poopship Destroyer>Zoloft>Pandy Fackler". Gene said goodnight and left the stage after "Saturday" but came back out for the encore because he was the only one to leave the stage. The band stayed on and after the slow destructo-pysch of "Poopship Destroyer" with some great guitar work from Mickey (aka Dean) who frankly had been killing it all night. His solos were tight when they needed to be and he wasn't afraid to explore either. He's a great foil for Aaron and it was cool to see them together again. I saw my first Ween show in the parking lot of the University of Memphis in 96' or 97' so I've been keeping up with them, not closely, but have had an appreciation of their music for a long time. The always fun song Z-O-L-O-F-T was followed by slow-tempo "Pandy Fackler" and that was it for the first night of LOCKN for Ween.

The second set for Ween takes place right before Phish's first show tonight and "Roses Are Free" is still on the table and Joe Russo played drums in The Gene Ween Band so don't forget that's a possible sit-in opportunity. This festival has so many musicians that have played together it's almost like the musicians themselves put it together. So don't sleep on Charles Bradley for a dose of soul, Vulpeck, and Ween followed by Phish, all tonight for free streamed on nugs.net. The stream was a little choppy but you can't complain, a stronger stream comes from fans.com but they require a FB signin or email/password signup. Either way, last night was a good way to kickoff the proceedings and the next three days are only gonna get better. This is going to be the best festival behind the Desert Trip and this one didn't cost you a kidney. It's gonna be a grateful weekend, so stay tuned to Grateful Music for breaking news and collaborations and all things LOCKN. We already have an interview coming with Vulfpeck so stay tuned....

Written by: Greg Heffelfinger

Umphrey's McGee setlist

1.  Nipple Tricks
2.  1348
3.  Attachments
4.  The Triple Wide 
5.  2 x 2 >
6.  Speak Up >
7.  2 x 2 (reprise)
8.  Puppet String
9.  Rocktopus
10. The Stranger*+> Puppet String Reprise
11.  All in Time

* Billy Joel cover
+ with Gene Ween as "Godboner"
(courtesy of setlist.fm)
The Godboner reunion was captured by j cornell, view “The Stranger” here:

Setlist

Set: Nipple Trix > 1348, Attachments, The Triple Wide > 2×2 > Speak Up > 2×2, Puppet String, Roctopus, The Stranger* > Puppet String, All in Time
* with Aaron “Gene Ween” Freeman

Ween Setlist

1.   Transdermal Celebration
2.   The Grobe
3.   Mister Richard Smoker
4.   Mr., Would You Please Help My Pony?
5.   Happy Colored Marbles
6.   How High Can You Fly?
7.   Beacon Light
8.   A Tear for Eddie
9.   Baby Bitch
10. Boy's Club
11. Up on the Hill
12. Nan
13. I'm in the Mood to Move
14. Pumpin' 4 the Man
15. Puerto Rican Power
16. Fat Lenny
17. Japanese Cowboy
18. Fluffy
19. Push th' Little Daisies
20. I Play it Off Legit
21. Someday
Encore:
22. Sorry Charlie
23. Ocean Man* >
24. Poopship Destroyer >
25. Zoloft >
26. Pandy Fackler

*Gene on Mandolin
(setlist courtesy of brownbase.org)

© 2016 Grateful Music LLC